Haruki dot emerged from a need to make - to use my hands, to create something I could hold and use - contentedly, peacefully.

Much of my time is spent emersed in words, writing and research: in my head. Imagination, aesthetics and creativity enter that world too, but text and institutions are resistant and make formidable gatekeepers.

As many have before me, I've long admired the traditions and aesthetics of Japan: the integrity and dedication with which  artisans have approached their crafts over centuries to develop unsurpassed levels of skill. I make my humble interpretation of designs and practices that catch my eye, from the deceptive simplicity of an elegant stitch to the mind twisting intricacy of ingeniously folded fabric, and add my own layers of materials, shapes and sensibility. 

My aim is to create beauty out of simplicity; to repurpose, salvage and reuse materials that have a past; to give new life and form to old garments, and pay a homage of sorts to the lives of those who once wore them; and to use object from my local and natural environment: to bring into relationship the old and the new, the past and the present, the far and the near.      

I work from my studio at the rear of my house - my space - small but full of light. The sea breeze from the west flows through, the walls are stacked with fabrics; books; images; things that hold memories of people, places and times; thoughts and plans; and pots of translucent blue and green porcelain glaze.  My children and cats, who come and go, and music and podcasts, keep me company. 

 I find it hard to part with each bag, but out into the world they must go. I hope you will find happiness in yours.